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Review By:

Ramz

Review Date:

05/06/2003

Label:

Enigma Entertainment

Released:

N/A

Rating: 4.5 out of 5 Planets

 


Being an avid fan of hip hop I find myself digging through the artist lists found on mp3.com. Most of my visits lead me to some real mediocre acts, some of which I label poor based solely on the sound quality, or lack of. Underground artists don't typically have the budget to produce music that sounds professionally produced, or close to it. But when I stumbled upon Ira Davis (AKA Enigma) and company, I thought that I had found a few needles in the mp3.com haystack. After one complete listen, I was impressed to say the least. From start to finish you will not only be entertained, but you will anticipate your next listen. Everything on the disc seems well laid up, well thought out, and executed near perfection. I will put my back against the wall and say this: This just may be the best underground hip hop CD that I have had the honour of listening to. This is one bold sentiment, but one that I state with sincerity.

Some critics (of me and/or the site) may come at me claiming that I am embellishing my review due to the fact that this is the first underground hip hop review on the site, but I would disagree wholeheartedly. In fact, Ira Davis approached me with the idea of a review and offered up a giveaway copy for us to distribute. In conclusion, I didn't choose to review this disc after listening to it. I didn't choose the album period, the album chose me so-to-speak.

Underground Mactown Vol.1 consists of 12 joints weighing in at slightly over 44 minutes. While I would have liked to see a few additional tracks on the set, I am appreciative of the concreteness found within the track listing. Instead of having a few 'filler' tracks, the set is 12 solid efforts.

Ok, let us get down to business...the music.

Underground Mactown v1 takes its first step by directly placing you inside the music. No skits, no unwinding silence, just music.

'Stressed' welcomes you with one sick bass line, laced with an accompanying sound that is catchy, but secondary. The vocals take precedence often times overshadowing whatever it is that lies in the background, in this case the instrumentation. The listener can hear it, but the vocals are out there by themselves on a lonely limb. You gain appreciation for the entire package simply because the lyrics are minimized in the opener. What do I mean? The track is a mere 2:40, but the lyrics grow silent leaving the repetitious beat floating on the surface. It isn't as if the track lacks polishfor separating the lyrics from the music, it is rather typical of some artists. Instead Ira Davis (Enigma) and co. make it work. The track is not the best on the list, by my standards, but it does end up sticking out once my CD player slows to a halt. This track does a great job carrying on the message that is embedded within the package.

The rest of the album has a similar flavour. The follow up to the opener, 'All I Want', is equally impressive, in regards to the overall sound and expressiveness. The lyrics remain on task, alongside a beat that is great at complementation. The beat that is used is entirely unique and is one of the busiest on the 12 song set. It is difficult to focus in on the beat, but seeing the style of Enigma allows you to respect that decision. Rather than going in to my interpretation of the lyrics, I will leave all of that up to you. I suggest you explore this artist, taking your own listen. This set is worth a few minutes of your time.

'All Out' jumped out at me for its lyrical flow. Traxskematyx jabs his way through this 4 minute-plus track before being rewarded the technical knockout. The beat used in 'All Out' is not one that will topple the Billboard, but it fits fantastically well with the previous tracks. Also, the beats that have been used up until this point are great at establishing style and sound. I absolutely love the beat choice, although some people may have a criticism or two to offer up. I don't. Considering this is a collection of Various Artists the theme the album takes on is outstanding. It all seems to piece together in a seamless fashion.

'A Little Something' may be my favourite jam on the album. The beat is heavier and reminiscent of a few commercial beats, although the resemblance is not what makes this track so appealing. The lyrical spit rides so well with the rest of the production, even though this track strays from the original path. This track does an excellent job of showing off the depth and variety that J. Doe is capable of. I hate to sound like a fan boy, but after 3 -4 dozen listens I have the impossible task of scanning for downsides. Fortunately, I have yet to find anything significant.

'Pop It' & 'Evicted' follow with more of the same. Neither track is Earth shattering, but they contain the ability of captivating and entertaining. 'Pop It' reminds me of something that you would hear in the club, although I would not consider it club music. It is upbeat and has a quick flow that would make most underground hip hoppers (and listeners) lend their appreciation and respect, both of which should enable these guys to find their way to the mainstream, if that is their goal. 'Evicted' is dramatically different than 'Pop It', but at the same time it has a similar value. The tempo has been reduced, yet the flow is just as fluid. Of course everything has been downsized, but nothing has been removed from the track. This is one fine track, from one fine rapper.

'My Hideout' finds itself in the 7th spot flying high above most of the track list. I give an up most shout-out to John Doe for his contribution of this gem. In the initial stages you find yourself lost in space listening to the sound of a simplistic piano rift. The sound gains volume when the piano gets joined up with a pad creating a sound that is bursting at the seams, waiting to explode. Suddenly all of the parts slam into gear, BLASTOFF! With all due respect to the band, I am amazed at how full this clip ended up, as when you listen close you can hear the simplicity. Everything was laid out and executed perfectly. From the distorted vocal effects to the lyrical message to the prominent deadly beat, this track excels from every angle. Tracking in at over 5 minutes, 'My Hideout' will carry you from start to finish, all the while keeping your attention maxed out. To be honest, I have a difficult time proceeding to the next track. My finger remains glued to the repeat function.

'Ho-Ma-Cide' is next in the line-up. The only problem that this track has it trying to fill the shoes that 'My HideOut' has left behind. This track is able to do so and then some. Let me give credit where credit is due, the hook found within 'Ho-Ma-Cide' is extraordinary. The track finds itself relatively bland up until you hear the hook, at which time goose bumps line up in numbers. I have to give props to everyone involved with this project. It is one of the most creative, well defined projects (albums) that I have heard to date, both mainstream and underground. The thought that has went into this is not only evident, but it should find the respect of any hip hop addict out there. I will also admit that I got more enjoyment out of the lyrics on number8 than any of the other tracks. The creativeness, oh the creativeness.

Mad Hou$e bumps up the bpm on the beat and slams his way onto the album. Although the flow on 'N' A Mad Mans Dream' is on par with the rest of the album, I found myself having little interest throughout. This is one of the more average songs on the album, but with that said it isn't worthy of getting skipped over.

'Only Da Strong Survive' sees number 10 on the display and again falters at being labelled one of those strong survivors. The beat is comforting as it sits in on the back shelf accompanying South SET, but comfort doesn't fit the mold that has been cast from the previous numbers. This track is an excellent example of the impressive production that has went into the album. For example, the tune is one that caught the minimal amount of my attention, but it didn't drag down my impression of the album.

The final two numbers on the play list are night and day. 'A Brand New Day' is typical Ira Davis. If you found his style appealing to this point, then you will eat this track up with a spoon. Personally, I was bumpin' to the track from the first few seconds until the music stopped. 'A Brand New Day' is inspiring and carries great expressionism. Hip Hop lovers beware: You Will Like This. Listen to it and see for yourself. 'In Search of Mornin'' is vastly different. The track is simply a message being chattered in the shadow of a beat. This is the weakest area of the album, but considering it for what it is worth, you can live with it. I usually skip over it, but there is nothing in my mind that would make me think that you will do the same. Track12 is an acquired taste, either you'll love it or hate it.

--

Concluding remarks: I recommend that you pick up a copy of this album. It is not a project that will vault them into superstardom, but I feel that it is a great album, one that should get them massive attention. Underground Mactown V1 has gotten my respect and will keep me interested for a lengthy period of time. If you have a love for underground hip-hop, then this is a must have. From track you track you will hear their passion for the art of making music. The beauty of this rare genre is that you get exposed to raw music; music that is filled with desire to entertain, music that has explosive potential, music that comes from the heart. This is an excellent set of tracks.

4.5 Planets Easily. The only gripes that I had with the album were of a relative fashion. The tracks that failed to catch my attention were simply overpowered by other attempts on the album, but when matched up with similar caliber songs, they would be shining ever so bright.

To all of the naysayers, go pick this up and give it a chance. Like I have stated before, the album will not win them a Grammy or sell a million copies, but it should be able to devastate the underground scene.
 

Track Listing:
01 Stressed - Ira "ENIGMA" Davis
02 All I Want - Ira "ENIGMA" Davis
03 All Out - Traxskematyx
04 A Little Something - John Doe
05 Pop It - Gemini
06 Evicted - Traxskematyx
07 My Hideout - John Doe (Click To Listen)
08 Ho-ma-cide - Mad War Ent.
09 N' A Mad Man's Dream - Mad Hou$e
10 Only Da Strong Survive - South SET
11 A Brand New Day - Ira "ENIGMA" Davis
12 In Search of Mornin' - J. Shawn


Ramz Rating: 4.5 out of 5 Planets


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